Roberto Sierra's Fandangos
March 22: Dvořák Symphony No. 8
•
10m
Roberto Sierra’s Fandangos, titled after the lively partner dance from Spain and Portugal, is what the composer calls a “super-fandango” drawing on his fascination with other composers’ fandango music mixed with his own Baroque-style musings, contemporary sonorities and imaginative orchestration.
Up Next in March 22: Dvořák Symphony No. 8
-
Pablo De Sarasate's Zigeunerweisen (G...
A riveting lament, embellished with an array of trills and dramatic ornamentation, leads to a furious, brilliant and breathtaking conclusion in the soloist’s own trumpet transcription of a showpiece originally spotlighting violin.
-
Arturo Márquez's Concierto de Otoño (...
Composed in 2018 specially for Pacho Flores, the Concierto de Otoño (Autumn Concerto) calls for four types of trumpet, merging Latin musical styles with the traditional fast-slow-fast concerto form, opening with an Afro-Cuban dance-infused dialogue between soloist and orchestra, continuing with a...
-
Antonín Dvořák's Symphony No. 8
Dvořák’s Eighth is full of luminous melodies and unexpected harmonic shifts. The second movement alludes to the funeral march of Beethoven’s Eroica Symphony, but lighter elements prevail in a whirlwind finale that is delightfully Czech.